Roundabout 3
Very disappointed at this time. Currently there is NO infinity mode for ANY of the levels in the game. In R2 I could get lost in any level for half an hour or more, but now I feel sluggish. I know I only mastered (and near mastered) a few levels in this iteration, but soon I’ll have to put down the game because trying to high-score in this time trial mode is not my style. All I need is a button in practice mode to let me have it my way, but you decided to not implement it. Am I supposed to go back an iteration to NGs to have it my way?
– Real player with 7.1 hrs in game
Read More: Best Electronic Music Addictive Games.
it´s okay
– Real player with 7.1 hrs in game
Playhear : Square Paper City
How an Electronic Music Album would sound and look if it was a Video Game?
Welcome to a new way to listen to music with this first opus of Playhear, a series of musical pieces made into games!
Surreal City
Settled in a weird and minimalistic place, Square Paper City is a Musical Walking Simulator with mazes, some puzzles and a bouncy and dynamic world.
A new way to play a music album
This interactive experience will make you live and feel a music LP as something new: semi-procedural, designed according to the game and the levels, moving and modulating according to your actions. The simplest inputs have dramatic consequences over your musical experience.
There’s also rhythmic totems to test your rhythm abilities, some shooting skills to help you find your way in the monochromatic mazes, some light Parkour, and other fancy mechanics.
Made with experimentations in mind
I made this game in solo, following my emotions and knowledge, testing visual technologies and interactive audio systems to provide a psychedelic but dynamic and fun walking game in a living painting!
I have also been working closely with some audio plugin developers as a tester and sound designer.
This game is a tribute to them (Unfiltered Audio, Rhizomatic, UVI, Bitwig, Sugar Bytes…) and to experimenters.
Finally, here’s the
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Push the Boundaries of the Way we Play/Listen to Music: a technical and artistic approach to interactive music
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Automatic Writing and Serendipity: a surreal way of composing the story and developing the game content with serendipity.
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Minimalistic Systems and UI: more immersion for the player. No complexity, immediate onboarding.
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Synaesthesia: attempt to make a world that lives according to music and visual connections.
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Focus on Experimental Art and Trippy Mood: I wish to experiment on both the technical art and the interactive music system in order to push the boundaries of abstract and artistic games.
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Diversity in electronic music genres: as I always done in my musical career
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This Game is an Instrument as Much as it is an Art Piece: give the opportunity to the player to play the game as an album or live show during a party or whatever.
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Use a Limited Range of Instruments: especially those that I’m testing for audio developers friends and a few others that I really need for the overall quality of the music
A game made by Tomavatars
Hexagroove: Tactical DJ
Hexagroove is probably the most interesting and exciting music game I’ve ever played. It’s a rhythm game made by people with a deep and obvious love of electronic music and the culture around it. It plays in a unique and intuitive way that makes it simple to make some kick ass music. Honestly, I never knew how much I needed something like this in my life.
Unlike other rhythm games which rely on quick reflexes and tapping along to the beat, most of Hexagroove’s gameplay centers around layering different instrumental loops. If you’re the kind of person who likes to play a game for the challenge, then it might not be for you. Most of the fun comes from putting together the different pieces and finding a solid groove, then adjusting it and playing with it on the fly. There’s room for a lot more experimentation and playfulness than in games that emphasize skill mastery, like Beatmania or Audiosurf. It offers some mini-games and an obligatory campaign, but you won’t find anything too taxing except on the highest difficulty. I’ve made my way through the whole game on each difficulty level, but most of my time is spent in free mode just jamming out. I’d hesitate to even call Hexagroove a game. It controls like a game, and it’s got levels, achievements and tricks to perform for style points, but it plays more like an instrument, something you can play to make cool music, without any of the hassle of having to learn to beatmatch or how to use an MPC.
– Real player with 19.8 hrs in game
Even with my short time in the game thus far I think it’s incredibly cool. I’ve not seen or played anything else like it. From the viewpoint of someone who doesn’t (yet) make music, it’s about the closest you can get to actually mixing and producing your own tracks while still also technically being a game.
It’s a lot of fun just to play around in, and I love that the game encourages that. More than once I’d be vibing with all the loops and samples in the practice mode, finding out my favorites and which ones work well together before remembering, oh yeah, I have a set to go play, maybe I should do that. It’s double cool that incorporating real life mixing and songwriting techniques and theory affect your performance and score. Also you can have a Psytrance rave deep in the forest.
– Real player with 4.3 hrs in game
Just Add Noise
ALPHA VERSION COMING SOON.
Create a world, play it music and watch it react and evolve.
Just Add Noise lets you control an audio reactive world. Build a scene and play it your own music.
What will your music attract?
Early experiments here. Although these are a very limited representation of what Just Add Noise will be like…
Just Add Noise is a solo indie project made in Unreal Engine. An early access version should be available soon.
Super Star Shooter 16
Super Star Shooter is a psychedelic shooter that somehow feels calming to play. It’s in early access so there are some improvements to be had but my time with it has been somewhat of a neat experience. I love the soundtrack and the voice that talks throughout the levels. In a way I feel like I’m playing a combination of star fox and tempest 4000. One thing I wish is maybe for score hunters possibly have an endless mode? That’s just a minor thing I was thinking about. I honestly can’t wait for it to be finished because the progress of this game is good!
– Real player with 1.2 hrs in game
This is a seriously good retro 3D shooter with great visuals, sound effects, speech, music and playability. If you like blasting things, you will not be disappointed.
– Real player with 0.7 hrs in game
Absolute Drift
So, here it is. My review.
At time of posting, I have all the achievements and have 50 hours in the game.
First of all, just a general comment: I love this game. It has a great, smooth game engine and the controls are fairly easy to me. It wasn’t too hard to pick up, and learning some drifiting from Assetto Corsa and driving my Miata IRL, I can say that the physics are very realistic and it’s easy to apply those skills into this game.
Here’s a list for the TL:DR, and it’s at the top (you’re welcome):
– Real player with 69.3 hrs in game
I’ve had tears of joy playing this game to completion, which is a rarity, I will say.
Absolute Drift is a top down, minimalistic stunt driving game. Your goal: become a master drifter, by refining the art of spinning out and smashing into walls controlling oversteer and burning rubber.
For the aesthetics: it’s low poly, simple graphics, with most buildings and roads left white and untextured. Objects of interest are coloured red, blue or yellow. Your car leaves behind skidmarks wherever it goes, whether you slide or not, which allows for impressive drawings on tarmac, or a nice spiral when you catch some big air.
– Real player with 65.7 hrs in game
Cadence
Cadence is something different: a hybrid of game and music sandbox. Understanding how to bring these two worlds together has been a quest 8 years in the making. It’s now finally here for you to enjoy.
How you spend your time with Cadence is up to you. Some people will enjoy relaxing with the game and solving levels. Tinkerers will enjoy fiddling with music in the sandbox. The crazy ones will program things we didn’t even know were possible.
Game play
You don’t need a sense of rhythm or a good ear to play Cadence - just your thinking cap and a bit of patience will reward you with gentle zen melodies. Puzzles start simple and build up to complex head-scratchers.
Make some noise
If you’ve tried music production you’ll know it’s intimidating. Cadence’s sandbox mode has been meticulously designed so that “time to first sound” is mere seconds. It doesn’t matter if you’re a composer looking for inspiration or you’ve never made a note of music in your life - Cadence is an entirely new and playful way of interacting with music.
Many are better than one
Cadence goes deep: underneath the game there’s a Turing complete logic system and a host of music production tools for you to explore. What’s possible with Cadence is an open question.
That’s why Steam Workshop is deeply integrated with effortless one-click import:
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play the best community generated levels
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collectively learn new techniques
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show off your proudest creations
#Funtime
Nice twin stick shooter, with different map types. good although short sound track. tries to have rogue lite elements like ship upgrades, and while they are cool, i was able to unlock all of them right away (with the exception of 1 tier3 unlock). it almost feels as if those unlocks should just be like PowerUp drops during the game. but overall so far i have had a #Funtime
– Real player with 8.3 hrs in game
Great game; this game gets more and more dynamic as you progress through the levels. It can get quite intense but the relaxing sound-track adds a nice balance. It seems to be well optimized for PC because it runs smooth and takes little storage. My favorite level so far is 10; maneuvering around the asteroids is good fun and makes a great scenery. I look forward to exploring the rest of the levels and arcade mode.
– Real player with 8.0 hrs in game